Upcoming Events


Thursday July 10
THE MUSIC OF BLACK SABBATH
Performed by Black OPS
HALLOWEEN!
The Blue Moon
712 NE 45TH ST
Seattle, WA
9 PM, 21+, FREE!

Tuesday July 15
FLOSS
ToST Lounge
513 36th Avenue NE
Seattle, WA
9 PM, 21+, $5

Saturday July 19
Saturday August 23
SOUNDS OUTSIDE 2008!
Cal Anderson Park
Capitol Hill
Seattle, WA
1-8 PM
soundsoutside.com

Thursday August 7
THE MUSIC OF BLACK SABBATH
Performed by Black OPS
A fundraiser for Sounds Outside 2008
Slim’s Last Chance Chili Shack & Watering Hole
5606 First Ave S
Seattle, WA
8:30 PM, 21+, $10



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monktail creative music concern

advocates for the advancement of creative music since 1990 - info at monktail dot com

seman

Author: Monktail
09 12th, 2007

"John is also known as Stanley Porter, Esq. for reasons undisclosed at this time."

John Seman

 

what’s new ?
Everybody, everybody wanna get… Dehydrated.

 

background info
John Seman is an active bassist, composer and archivist in Seattle, WA. He is a founding member and current director of the Monktail Creative Music Concern.

 

John was born in New Jersey and began playing the piano as a boy. While enduring public education John developed skills o­n trumpet, tuba, percussion, guitar and double bass and began composing and studying music theory.

 

John earned a Bachelor of Music degree in Ethnomusicology and Music Composition from the Oberlin Conservatory of Music where he studied ethnomusicology with Roderic Knight, composition and theory with Randolph Coleman, Param Vir and Richard Hoffmann, and double bass with Peter Dominguez, Ralphe Armstrong and Richard Davis. While at Oberlin he also studied Sitar and North Indian vocal technique, performed in the Oberlin Gamelan Kyai Barleyan, and took lessons o­n West African Mandinka Kora.

 

In 1997 John moved to Washington, D.C. and was granted a graduate fellowship to the University of Maryland in College Park, whose ethnomusicology program is strengthened by the direction of Ki Mantle Hood. John continued his Mandinka studies there with 149th generation Senegalese Jali Djimo Kouyate while teaching workshops o­n West African drumming and music culture. John’s interest in recorded media thrived in D.C. as he archived historical content for The Smithsonian, the Library of Congress, the National Archives, the Estate of American Composer Elie Siegmeister and worked very late nights at the very bitchin’ LION and FOX Recording Studios.

 

John relocated to Seattle, WA in 1999 where he currently resides. By mid-2000, Seman and percussionist Mark Ostrowski had begun abducting performers, artists and other nogoodniks from Seattle’s seedy underbelly toward a revitalized MCMC cause.

 

During the daytime, John is the Audiovisual Preservation Specialist at a new music museum, and he has presented papers and workshops o­n archiving and preservation techniques at local and national conferences.

 

John has been a contributing member of Butoh-bizarre-o group The Degenerate Art Ensemble, post-punk performance artists Mail Order Bride and even good ol’ folkies The Kerry Lauder Band - before he was replaced by this guy. John has performed with many of the Northwest’s most original improvising musicians and had his compositions performed by the many members of MCMC.

 

groups:
Floss
Non Grata

Deal’s Number
Special O.P.S.
Raymond Scott Project
…etc.

appears on the following monktail records releases:

mcmc1 NON GRATA -MCMC
mcmc3 Unwaxed - Floss
mcmc6 Arm Me - Special O.P.S.

mcmc7 Show Me What Ya Workin With -Deal’s Number